[拼圖] パームスプリングス 棕櫚泉 (Bon)

パームスプリングス 棕櫚泉 / Fanch Ledan

Brand: Bon

Number:300-274

Pieces:300 pcs  (15*20)

Size:42 x 29.7 cm

Finish date:20200506

Artist:Fanch Ledan

誤以為是Thomas McKnight的作品,看到簽名才知道是烏龍一場

Bon 似乎是Epoch的子公司,現在已停產

Fanch Ledan

風格和影響

Fanch creates imaginary scenes that run the gamut from worldly and exotic destinations to intimate interiors. His interior scenes, dubbed “interiorscapes,” often feature hanging paintings of the artists he most admiresa way for him to pay homage to their influences on his own art. He also occasionally takes commissions from his collectors for their favorite works to be displayed inside each piece, a way of personalization. Travelling is how Fanch gets most of his inspiration for these scenes and, so far, he’s reached more than 100 countries.

Both his landscapes and interiorscapes have a romantic mood and beckon the viewer to enter them. He tries to express both a sense of whimsy and technical detail in each scene. Fanch will often create combinations of locations that cannot exist in reality, like a view of the Taj Mahal or the Pyramids of Egypt from an elegant private balcony. His works feature a remarkable sense of detail and subtlety regarding color, as well.

Fanch does not paint the human form within his compositions, civilization is always present, felt from the remnants of a once-occupied space. A pair of eyeglasses, a coffee cup, or other human articles can often be spotted, signifying a human presence.

His technique is similar to a draftsman or an architect, drawing first in pencil on his canvas laid flat on a drafting table. Once everything is drawn in pencil, he uses a large brush to paint the background then smaller brushes to fill in all the details. He never uses a palette knife or an easel. His Mediterranean studio is a calm place of creativity. Facing south with plenty of space and a quiet simplicity, Fanch likes to use his studio to paint two or three paintings at a time. He keeps smaller works on the falls of the space and occasionally feels moved to touch-up paintings more than 20 years old. To him, they are never finished. His choices are made instinctively, especially when choosing colors, and he can’t always explain why.

<來源及更多資料…>

Interiorscapes





石版畫

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